Balance

How do you find balance when you have so many roles in life?

Homer Simpson GIF - Find & Share on GIPHY

Yesterday, as I typed at the coffee shop and nibbled on my biscotti, I felt very much like a cool, put-together writer person. Then I leisurely left and drove over to the location of our SCBWI meeting. I got a text that my writing bff was on her way, so I parked, went inside, hit two pokestops, and then ducked into the ladies’ room.

And that was when my youngest small person called. Concerning something with my oldest small person. And then I had to go home. No delightful dinner with friends. No get together. No sharing, no meeting, no socializing. I had to go home. I used to let my husband deal with these things on my writers’ night, but now he has joined SCBWI as an artist and I can’t just dump it on him anymore. So I went home. I told him he should go to the meeting but he went home too. I cooked dinner. We watched TV.

I have to admit, I cried a little on the way home. It’s hard to completely understand what I was feeling at the time. I knew that I could no longer enjoy myself at the meeting, knowing that things were going poorly at home. They are my responsibility. And I felt like I had been selfish to go to the coffee shop instead of just going home after helping Ben. I always feel a little selfish when I go to writing things anyway, but I told myself I deserved to be a little selfish. That it was good for me, and for them. And it was good for my writing career.

But is it really? Or am I just telling myself that so that I can indulge myself?

As I drove (it’s like almost an hour to get home from there), I thought that maybe I just wasn’t supposed to really immerse myself into the social aspect of writing at this time. Maybe I need to wait until the youngest is grown. That’s only about nine more years.

I’ve been going through so much spiritual awakening and growth lately, and the thought of this doesn’t even really bother me right now. I believe that things happen for a reason, and that we can learn and grow from all our experiences. But what is this telling me? For the moment, I’m still going to the upcoming conference. I have committed to work at it, and I’m not going to let the others down. But I asked my mother to help me with the home fires, and she is going to. I don’t feel that I should ask her to do this every time I want to go have fun, though.

Yesterday I planned that today I would go to the library in the next town over and use one of their private study rooms to work on my wip. I was going to take my index cards and reconsider each scene of the novel and their order. I also planned on bringing a notebook and working on excursions for an upcoming trip we’re going on. I thought I might take the kids and let them enjoy the library, or I’d leave them at home together. By the time I got home, I didn’t think either was a good idea. If I can’t feel comfortable leaving them at home together, how could I have them at the library? I’d have to focus on them instead of my work, because I’m not sure I can count on any of them to be responsible for the others.

So now I’m thinking I’ll do the trip planning stuff at the kitchen table. Then I can make my son do his math at the table with me, because he basically needs to be stared at to get his work done. He’s several weeks behind. Again. I can’t focus on my writing, but at least some things will get done.

I feel like I sound like I’m making excuses to not get done with my work. I want to do my work. I just can’t seem to figure out how to do it. Every thing I try leaves me blocked.

Conference afterglow

I went to the 2019 Spring Conference for the Society of Children’s Book Writers and Illustrators of Oklahoma this weekend. Originally I was planning to not go. I hadn’t even updated my membership, even though I was still doing some publicity work for the group. I was very blah about the whole thing, and I couldn’t seem to get anything published. Writing was at a stall. I wasn’t even going to my SCBWI Oklahoma meetings, even though I’d always enjoyed them. I went to critique group, but it was a big challenge to go.

So I had a dream, and out of that dream came the idea for the novel I am about to begin writing. I was trying to feel more enthusiastic and writers-ly, so I invited the best writer friend I’ve got, Kim, over to talk publishing and stuff. So we hung out and talked, and she invited me to stay with her during the conference (it was in Tulsa). So I went and registered.

And then she texted me that night, super apologetic, that I couldn’t stay with her after all (for a really good reason so it was all good, but I didn’t know what to do then). Rooms were really high, and the idea of driving to Tulsa sounded so gross. Plus, my family were headed into their weekend crisis time, with one child needed rides to one place and another needed to go other places, and the eldest (who can drive) at work so she couldn’t always be there. Plus I had to get stuff ready for the theater in town by Saturday and I had a whole church lesson to get ready for my children’s church class. And there was a ladies lunch after church and I needed to bring food for that and suddenly going seemed a WHOLE LOT HARDER than staying and so I decided to stay home.

BUT

I had told our regional advisor that I would work the registration table, like I always do, and so I needed to text her and bow out gracefully. She immediately asked if it was about the hotel cost and I said kinda, but there was the other stuff too, and then she invited me to share a room with her and the ARA. For nothing. Just couchsurf with them. And even though the other stuff was still looming over head I said yes.

And it was great. I rode with Kim and stayed with the leaders. I helped a lot and the couch turned into a pullout and they invited me to eat with them several times and we got a free breakfast and I spent so little money but came away with a lot. The speakers were lovely and so fun to talk to and I got that delicious sense of camaraderie and creativity that descends on one during writing events.

So now I’m gearing up to start the new novel. I’ve been jotting down ideas in a notebook and I’m getting closer to beginning. Usually I have that perfect first line before I begin, and I’m not quite there yet, but I can feel it getting closer. I don’t have the names of the characters yet but hopefully soon.

Anyway, I got busy talking to my mom and looking at social media tools, so I’m going to get done and take care of that. And then I’m going to keep doing my plotting/planning.

New things

I’m working on a play right now. It’s a rewrite of “A Christmas Carol,” but set in my hometown. The local theater will be performing it at Christmas time. Auditions are Oct. 6-7, so I really need to have most, if not all, of it done by then.

I also have an idea for a picture book biography that I’m excited about. It really isn’t my normal thing, but I like this idea and am intrigued by this person, so I think it will be fun to do. And I am good friends with an amazing picture book biography author, Gwendolyn Hooks, so I am sure that she can help me out if I run into trouble.

Once that is done, it’s back to the two YA contemporaries I haven’t completed. Maybe I’ll be able to work on those and the biography at the same time. But I don’t think I can with the play because I’m on such a tight deadline.

I’m going to a revision retreat this weekend, with SCBWI Oklahoma. I don’t have anything currently that I want to revise but I’m excited about learning new ideas for the future.

I am also doing a writing retreat in early November with some friends. I’m looking forward to this, big-time. Last year I got a lot of words on my YA contemporary on sexual assault. Maybe I’ll get it wrapped up this year. Or maybe I’ll focus on the other one. Or maybe I’ll be completely done with both and I’ll focus on something new, lol!

Just realized that it’s kind of nice that we’re going in November. I could maybe tie my work in with NaNo to keep the momentum going.

But! The next thing I am going to write is a message to my agent, because her debut novel is coming out next week. I’m proud of her. <3

Revisions and dance

I’m at my daughters’ dance competition, listening to music in my earbuds and also super loud dance music while I sit in the back row with my laptop. I am looking at my new revisions and thinking about them.

I sound so boring today, but I kind of feel that way. I’m only blogging because I thought that would be a good thing to do today, since I’m not actually writing new words. And I’m only planning to read all my agent’s revision notes, not actually begin revising. But reading all the notes and thinking about them is still progress.

I’m doing well with the instagram writers’ thing. I’m on day 13 and I actually haven’t missed a day yet. It’s basically a miracle.

I’m also just too darn busy with all the other things I do. My eldest is graduating next month and there is an awful lot to do. There’s only ten graduates, since it’s for our homeschool group, and they all get a lot of special things…but Mom gets to do all the work! I’m also swamped with stuff for the dance studio, the local theatre, and my scbwi group. And I love all those things, I really do, but I’m not quite as good at balancing everything as I’d like to be.

Anyway. Back to work. Wish me luck.

igwritersapril

So I’m doing this thing on Instagram this month under the hashtag #igwritersapril. It’s supposed to be fun but it is also a challenge because I am so gosh darn lazy. Anyway, I did the first two days and they weren’t super easy but today’s subject is bookshelf and that sounds very appealing. All I have to do is actually clean mine up a little so it looks presentable and then take a picture of it. Much easier than trying to describe my work in progress using photographs.

Of course I actually have like six bookshelves, so theoretically I could take pictures of all of them. But then I’d have to clean all of them. Which isn’t necessarily a bad thing. So maybe I will. But writing comes first. I can’t really claim to be a writer on instagram if don’t, you know, actually write and stuff.

My darling writing conference starts on Friday. I’m so happy to be going again. I really enjoy it. There’s still time to get registered over at the SCBWI Oklahoma web page, so if you are or wanna be a writer or illustrator, get thee to the site and join us!

Society of Children’s Book Writers and Illustrators to Host Spring Conference

Professionals from established publishing companies and literary agencies will share their insights about children’s literature at the upcoming Society of Children’s Book Writers and Illustrators conference. The Oklahoma Chapter of SCBWI, a professional organization of writers, illustrators, editors, publishers, agents, librarians, educators, booksellers and others involved with literature for young people holds an annual conference to allow aspiring writers and illustrators to meet publishing professionals in person. This year’s conference will be held on Friday, April 6 and Saturday, April 7 at the Embassy Suites in Oklahoma City.

In addition to a full day of professional speakers on Saturday from 9 a.m. to 6 p.m., this year’s spring conference includes an Friday night program at no additional cost to registered attendees. Two breakout sessions will be available to choose from – “How an Oklahoman Made it in Children’s Publishing, and Lightning Tips” or “Finding Your Visual Voice.” Both will be led by publishing professionals and will be followed with a time for attendees to mingle with the speakers.

The SCBWI spring conference also offers a limited number of slots for paid written critiques from editors and agents. Top manuscripts, selected by the critiquers, will have a ten-minute meeting during the conference with the editor or agent who critiqued their manuscript. Manuscript deadline is Feb. 26. To hold a place, fees must be paid before the deadline. Off-site professional critiques are also available, with a deadline of March 16.

Chad W. Beckerman, Creative Director for Amulet Books, Abrams Books for Young Readers, and ComicArts, will conduct face-to-face paid art critiques during the conference.

All illustrators are encouraged to display their portfolio for conference viewing. Illustrators do not have to pay for a critique to display their portfolios.

Attendees also have the opportunity to purchase one-on-one paid face time with a professional. There will be a limited number of discussion times available. This can be used to ask for career advice, discuss your work, ask them to do a cold read of a first page and give comments, or any topic dealing with writing or illustrating.

This year, attendees will also have the option of participating in the crowd-favorite illustration postcard contest and the crowd-favorite 40-word pitch contest. Both are free to participate and include the prize of a free one-on-one face session with an art director, editor, or agent.

All conference registrations include the Friday night sessions, lunch on Saturday, and Saturday Social with Autograph Party at the end of the conference.

Registration is $150 for SCBWI members and $180 for non-members. SCBWI Student members will receive a ten percent discount upon registering, and non-member student registration is $155.

 

More information and registration forms can be found at www.oklahoma.scbwi.org.

 

This year’s publishing professionals include:

  • Chad W. Beckerman, Creative Director for Amulet Books, Abrams Books for Young Readers, and Comic Arts
  • Andrea Hall, Associate Editor with Albert Whitman & Company
  • Hannah Mann, Junior Agent with Writers House Literary Agency
  • Daniel Nayeri, Publisher at Macmillan Children’s Publishing Group
  • Allison Remcheck, Associate Agent with Stimola Literary Group
  • Emily Heddleson, Senior Manager, Library & Educational Marketing
  • Jerry Bennett, Oklahoma Illustrator Coordinator and Professional Artist

 

About SCBWI

Founded in 1971, by authors Stephen Mooser (President) and Lin Oliver (Executive Director), The Society of Children’s Book Writers & Illustrators (SCBWI) is one of the largest existing writers’ and illustrators’ organizations, with over 20,000 members worldwide. It is the only professional organization for those specifically working in mediums of children’s literature, magazines, film, television, and multimedia, and makes an annual presentation of the Golden Kite Awards, the only award presented to children’s book authors and artists by their peers.

 

A new twist

So I hosted a SCBWI thing at my house on Saturday. That went well. We didn’t have a lot of people but it was fun and informative. Afterward, Kim stayed and talked to me a little about a manuscript that I am working on revising. I was having issues with something, but after talking it through, I was able to recognize a problem in it I just couldn’t see, and then I had an idea how to fix it – and bonus, it gave me another interesting wrinkle to add to the manuscript, which I love. It just takes things a little bit deeper.

I have critique group tonight too, and I’ve got my pages printed out but not stapled yet. Oh, and I just remembered that I was going to print those double sided and I never turned the paper over. Maybe I should check on that, lol.

Also, here’s a picture after the thing at my house.

Critique partners and writing friends are highly recommended.

Now to check the printer.

Society of Children’s Book Writers and Illustrators to Host Spring Conference

Spring-Conference-11x17-flyerProfessionals from established publishing companies and literary agencies will share their insights about children’s literature at the upcoming Society of Children’s Book Writers and Illustrators conference. The Oklahoma Chapter of SCBWI, a professional organization of writers, illustrators, editors, publishers, agents, librarians, educators, booksellers and others involved with literature for young people holds an annual conference to allow aspiring writers and illustrators to meet publishing professionals in person. This year’s conference will be held on Friday, April 6 and Saturday, April 7 at the Embassy Suites in Oklahoma City.

In addition to a full day of professional speakers on Saturday from 9 a.m. to 6 p.m., this year’s spring conference includes an Friday night program at no additional cost to registered attendees. Two breakout sessions will be available to choose from – “How an Oklahoman Made it in Children’s Publishing, and Lightning Tips” or “Finding Your Visual Voice.” Both will be led by publishing professionals and will be followed with a time for attendees to mingle with the speakers.

The SCBWI spring conference also offers a limited number of slots for paid written critiques from editors and agents. Top manuscripts, selected by the critiquers, will have a ten-minute meeting during the conference with the editor or agent who critiqued their manuscript. Manuscript deadline is Feb. 26. To hold a place, fees must be paid before the deadline. Off-site professional critiques are also available, with a deadline of March 16.

Chad W. Beckerman, Creative Director for Amulet Books, Abrams Books for Young Readers, and ComicArts, will conduct face-to-face paid art critiques during the conference.

All illustrators are encouraged to display their portfolio for conference viewing. Illustrators do not have to pay for a critique to display their portfolios.

Attendees also have the opportunity to purchase one-on-one paid face time with a professional. There will be a limited number of discussion times available. This can be used to ask for career advice, discuss your work, ask them to do a cold read of a first page and give comments, or any topic dealing with writing or illustrating.

This year, attendees will also have the option of participating in the crowd-favorite illustration postcard contest and the crowd-favorite 40-word pitch contest. Both are free to participate and include the prize of a free one-on-one face session with an art director, editor, or agent.

All conference registrations include the Friday night sessions, lunch on Saturday, and Saturday Social with Autograph Party at the end of the conference.

Registration is $150 for SCBWI members and $180 for non-members. SCBWI Student members will receive a ten percent discount upon registering, and non-member student registration is $155.

More information and registration forms can be found at www.oklahoma.scbwi.org.

This year’s publishing professionals include:

  • Chad W. Beckerman, Creative Director for Amulet Books, Abrams Books for Young Readers, and Comic Arts
  • Andrea Hall, Associate Editor with Albert Whitman & Company
  • Hannah Mann, Junior Agent with Writers House Literary Agency
  • Daniel Nayeri, Publisher at Macmillan Children’s Publishing Group
  • Allison Remcheck, Associate Agent with Stimola Literary Group
  • Emily Heddleson, Senior Manager, Library & Educational Marketing
  • Jerry Bennett, Oklahoma Illustrator Coordinator and Professional Artist

 

About SCBWI

Founded in 1971, by authors Stephen Mooser (President) and Lin Oliver (Executive Director), The Society of Children’s Book Writers & Illustrators (SCBWI) is one of the largest existing writers’ and illustrators’ organizations, with over 20,000 members worldwide. It is the only professional organization for those specifically working in mediums of children’s literature, magazines, film, television, and multimedia, and makes an annual presentation of the Golden Kite Awards, the only award presented to children’s book authors and artists by their peers.

Writing retreat day 4

So it occurred to me on Tuesday that I never wrote the final day of the writing retreat. That’s okay, though, because instead I wrote some more on the wip and got it to 15,000 words!! That means I wrote more than 10,000 during the weekend, which is pretty bomb. I haven’t done anything with it since, but I’ve been busy working on the celebration of life stuff for my friend.

When I got back I learned about the sexual harassment stuff that’s going on with SCBWI. That was disconcerting. It hit close to home and reminded me how important the novel I’m working on really is, at least to me. If it can help someone in the future, that would be amazing. It’s helping me right now, and that’s amazing too.

Balance

Finding balance is something that seems to keep eluding me. I used to have no problem getting my books written and handling the rest of my life as well. I mean, it wasn’t easy, but it was doable.

It’s harder now. I finally thought I found a solution, and went to a relative’s unoccupied house for what was supposed to be several days. I did a lot of plotting and wrote more than twice what I consider enough for a truly “successful” day. But the next day, my family needed me. They then reassured me that they had everything under control, but I couldn’t write anymore. I couldn’t just sit and write and selfishly take all that time for myself when my family was crying out. So I drove the three hours home and didn’t write any more.

Now it’s several days later and I’ve still to write more. I’m currently in my regular writing spot – a couch in the corner of our TV room while several other family members watch TV. Sometimes I use headphones while I do this, but I haven’t seen them since I took them to my aunt and uncle’s anniversary party (I wrote words on the long car ride).

Anyway. Going out of town proved to me that I do still have the ability to write, and to write a lot of words and write well. But I still have the issue that when other matters press down on me, it stifles my creativity. That’ the balance I’m looking for – how to take time for myself and do the project I want to do, but also to care for the ones I love in the way I need to.

Also, I want to encourage you all to visit my friend Sonia Gensler’s blog today and learn about how to find community at an SCBWI conference. It’s part 2 in our blog parade, leading up to our SCBWI Oklahoma spring conference the first week of April. Check it out!